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Cinema Studies: The Key Concepts (Routledge Key Guides), by Susan Hayward
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This is the essential guide for anyone interested in film. Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include:
* auteur theory
* Blaxploitation
* British New Wave
* feminist film theory
* intertextuality
* method acting
* pornography
* Third World Cinema
* Vampire movies.
- Sales Rank: #2531166 in Books
- Published on: 2000-09-10
- Original language: English
- Number of items: 1
- Dimensions: 1.20" h x 5.42" w x 8.48" l, 1.44 pounds
- Binding: Paperback
- 552 pages
About the Author
Susan Hayward is Professor of French and lectures in French cinema at the University of Exeter. She is the author of French National Cinema (Routledge, 1993).
Most helpful customer reviews
2 of 2 people found the following review helpful.
Excellent Reference
By Elyse Stever
I've taken several film studies classes while in college and this book makes an excellent reference guide. The information she provides is to the point, easily accessible and supplements any film class. Sure, it's not a very interesting cover to cover read because it's a reference guide. It will help you when you forget specific terms and vocabulary in film studies, and terms are easy to look up quickly before you get called on in class!
5 of 7 people found the following review helpful.
Scholarly, Well Researched, Dense with Theory
By B. Cirelli
Susan Hayward has done a good job putting together a compendium of cinema concepts. Her work is very scholarly and well researched with a good deal of additional references (for further reading.)
Professor Hayward's bio says she is a Professor of French Studies. It shows in her book. If you feel like you haven't had your fill of post modernism, semiotics and structuralist/post structuralist theory, this book will get your diet straight.
This isn't the kind of book you'd just sit down and read from cover to cover. It's more of a reference. My complaint is that the book is a little dry and dense.
However, if you need a reference book on cinema concepts, this is a good choice.
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